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| Jewel Called Adelphi |
Glimpses of the past fill Broadway hotel |
By
Glenye Cain |
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The first time Sheila Parkert saw the Adelphi Hotel, it was
an abandoned building about to be torn down. That
was a long way from what it was a century earlier, and
it was a long way from where Parkert and her late husband,
Gregg Riefker, thought they could take it. Built in 1877, the hotel had been considered a Saratoga Springs
jewel from the moment it opened, an occasion that owner William
McCaffery celebrated by hiring the 77th Regiment Band of Saratoga
to play from the second-floor piazza, which ran the length
of the hotel’s façade. But a century later,
when Parkert and her husband – a pair of Nebraskans in
their 20’s – took their first good look at the
property, the Adelphi was enough of a blight that it had been
slated for demolition.“At the time, it was painted red,” Parkert said. “It
had been closed up from the time we had lived here. The
people who had it had completely pulled up stakes, and vandals
had taken everything out of it.”
The Nebraskans were unlikely saviors for the Adelphi. They
had fallen in love with Saratoga in the early 1970’s
when they passed through on a road trip, and they had moved
there several years later. By 1979, they had run a small
downtown grocery, managed Sperry’s restaurant and bar,
and, in Sheila’s case, gone to law school. They
weren’t developers, hoteliers, or professional renovators. But
they loved the town, they loved history and
interior design,
and they didn’t want to see the Adelphi demolished. That, plus $100,000, was enough to buy the place. |
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The Adelphi, built in 1877, was
designed as an Italian villa with a distinctive second-floor
piazza fronting the hotel. It was scheduled to be demolished
before Sheila Parkert, the current owner, bought the
hotel withher husband in 1979 and restored it room
by room. |
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“We were really kids,” Parkert said. “Urban
renewal was a big thing here, and this town was up for grabs
in the 70’s. My god, they were tearing down everything. If
you could stop the wrecking ball, you could buy something for
$10,000. All the mansions on Union Avenue, you could
buy anything you wanted. It was a big ol’ land
grab.“It had gotten to be big news that they were going to
tear this place down. We’d
gone to France a lot, and we had seen what people had done
with old hotels. We
were just young enough and dumb enough to think, ‘This
could work.’ " Parkert, then 27, and Siefker raised the $100,000 and bought
the hotel in 1979. They would put another $350,000 or
so in renovating the building and its interior, room by room
as they could afford to do it. When it reopened in 1980,
now painted dark brown with cream-colored trim, the Adelphi
was still a work in progress. But it was already on its
way back to prominence as one of Saratoga’s most distinctive
inns.
That was precisely what Parkert and Siefker had in mind when,
to help raise funds for the purchase and renovation of the
property, they circulated a prospectus. They laid ourt
their plan “to return it to the lively days it once knew
as a hotel” and “to inspire in all of the city
the realization that the glory of the Spa they once knew is
not dead, only sleeping.” |
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The interiors are an eclectic blend of style
and contain interesting relics of the past. The hotel is
reputed to be haunted, but Parkert said, "I've never
seen a ghost, and I've been here in the winters and
alone." |
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The Adelphi was not the largest or most prestigious of Saratoga’s
luxury hotels when it opened on July 5, 1877. But there
were plenty of gilded-age celebrities to go around in Saratoga,
and the Adelphi got its share. Set like a small diamond
between the larger and more famous United States and Grand
Union hotels, the Adelphi was built on the site of the less
tony Old Aelphia, which had been best know for having
the only saloon on Broadway that sold liquor by the glass,
a bar called The Blue Hen’s Chicken. In the mid-1870s,
railroad conductor-cum-hotelier William McCaffery inherited
the Old Adelphia from his wife’s family and determined
to move it up in the world by tearing it down and starting
fresh.The result was the Adelphi, a four-story building designed
in the style of an Italian villa with what was known as a “Lombardian” flourish,
with arched windows and some architectural referenced to the
medieval era. But its most notable and popular feature
was its second-floor piazza, which put a more private twist
on the grand ground-floor porches that fronted other hotels. Being
above street level afforded the Adelphi’s grandees a
comfortable place to talk business, and among the figures that
could be found doing just that in the late 1870’s were
such men as Commodore Cornelius Vanderbilt and John Morrissey,
a state senator, casino owner, and former prize fighter. Both Vanderbilt and Morrissey were fixtures at the Spa, and
Morrissey had been instrumental in bringing a four-day experimental
race meet to town in 1863, in the well-founded hopes that the
end of the Civil War would make racing a permanent summertime
activity at Saratoga again. Vanderbilt, of course, was
also a famous horseman, but in Saratoga he is also known as
having unwittingly had a hand in the development of the potato
chip. The story goes that, while dining at Saratoga’s
Moon Lake Lodge one night, Vanderbilt sent a potato back to
the kitchen, complaining that it was sliced too thickly, prompting
chef George Crum to cut it ridiculously thin, fry it into a
hard chip, salt it, and return the remaining crisp to the Commodore. The
rebuke unexpectedly became a hit.Morrissey was a regular at the new Adelphi, but not for long. He
died at the hotel the year after it opened and lay in state
in the second-floor parlor that opened onto the piazza where
he had once conducted profitable conversations with men like
Vanderbilt.The hotel, not surprisingly, is reputed to be haunted, not
by Morrissey but by a woman in a blue velvet Victorian dress.“But I’ve never seen a ghost,” Parkert said, “and
I’ve been here in the winters and alone, I’ve never
seen any supernatural things, but it wouldn’t surprise
me.”Other Adelphi visitors who took advantage of the private piazza
included the gangster Meyer Lansky, who was said to have met
with his cohorts there from the 1930’s into the 1950”s.The abandoned Adelphi was a huge project for Parkert and Siefker. But
they started small. First, they opened only the bar,
not the rooms, and the fare was limited to sandwiches. Gradually,
the place began to take off. Customers they had known
at Sperry’s made the trip to order drinks at the Adelphi,
and the revival got a big lift from the New York City Ballet,
which makes its summer home in Saratoga.“There were a lot of dancers,” said Parkert, herself
a ballet dancer. “At that time, George Balanchine
was still around. He never stayed here, but he would
come here to the bar.”“Among the other famed choreographers and dancers to
sip or stay at the Adelphi are the New York City Ballet’s
ballet master in chief, Peter Martins, and the legendary ballerina
Suzanne Farrell.
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A chance encounter produced the lobby's most
famous feature -- hand-stenciled walls and ceiling.
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“I was very into the ballet and went every night,
and they always came to the bar ,” Parket said. “For
me, this was why we came to Saratoga. To be in the middle
of it was unbelievable.”“The money we made in the summer was mostly off the
bar,” Parkert said. “We took that money and started
working on rooms. We only did about two or three rooms
a year, and this took almost 20 years.”Today, the Adelphi’s 39 rooms are lavishly furnished. A
good number are in Parkert’s favored Regency style,
but each room is unique. Upon
opening a door, you may find yourself in a Colonial suite,
an Adirondack cabin, or a gilded-age boudoir. Whatever
the style, some of the rooms still feature an interesting relic
from the hotel’s past: mezuzahs, designed to hold
small rolls of parchment inscribe with texts from Deuteronomy,
fixed inside the door frames as a sign of Jewish faith. These
date back to the 1920’s, when the hotel was owned by
Eugene Zuckerman, who catered to Jewish clients with kosher
and Hungarian food and hospitality at a time when anti-Semitism
was common at other hotels.Taken together, the Adelphi’s rooms are a collection
of styles and eras. In the early days of its restoration,
there wasn’t a particular plan, Parkert said.“At that time, we could take our van around and fill
it up with old stuff no one wanted and spend, like, a hundred
dollars,” Parkert recalled. “So what informed
the decoration was what we found on a given day and what would
fit in the van.”The lobby, with its 1800’s-style plush furniture, large
potted plants, and marble-topped tables, also benefited from
a chance encounter that gave it its most famous feature: hand-stenciled
walls and ceiling. The lobby’s current configuration
dates back to the 1920’s, when the owners at the time
put in such conveniences as an elevator – the kind that
requires an operator and has a metalwork grille for a door – that
is still in regular use. “First we just painted it,” Parkert said of the
lobby. “But one day in the early 90’s, this
crazy guy, Larry Boyce, rode up here on his bicycle. He
looked like a biker guy. He came in and he said, ‘I’m
a stencilist from San Francisco, and I need money. Here’s
a portfolio of my work, and I’m gong to paint your lobby. I’ll
only charge you a couple of thousand dollars.’ So
we looked at his work, and he had done mansions and state capitols
and cathedrals – it was amazing. He was just an
itinerant, crazy guy who rode around on his bicycle, cross
country, and paid for it wherever he was by doing a project.
He stenciled the whole lobby and then came back and did the
ceiling the ballroom. And then he died of AIDS. This
was one of his last projects.”As more rooms opened and the Adelphi began to establish itself
as an inn again, the ballet clientele increased. So did
racing fans, history buffs, and other visitors looking for
a quintessentially Saratoga experience. The hotel is
open from May to October, and Parkert still enjoys redecorating
rooms and adding new features that stay true to the Adelphi’s
beloved old style. A recent addition was a small swimming
pool behind the hotel. Sunk in stone and made private
by lush plants and a romantic arbor, it looks as if it, too,
were established in the 1800’s. That’s the
way Parkert likes it, and, as she and Siefker gambled years
ago, there are plenty of hotel guests who like it that way,
too. Thanks to all of them, the Adelphi went from a near
loss to a mainstay on Broadway.“Another few months, and they would have torn it down,” Parkert
said. “We never thought that it wouldn’t make
it. We always knew that it would.” |
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Article taken from Saratoga
Scene |
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The
Adelphi Hotel
365 Broadway, Saratoga Springs, NY 12866
(518)587-4688 Fax: 518-587-0851
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©1998-2009 |
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